LUCAS G. MENDOZA

DIGITAL IMAGING TECHNICIAN & COLORIST

Visual Storytelling
Redefined.

15 years of technical excellence on set. Bringing the DOP’s vision to life through precision color grading and seamless dailies workflows.

ARRI     SONY     RED     PANAVISION

PORTFOLIO

Recent Masterpieces

Directors Of Photography

Arnaud Poitier  Steve Annis  Matias Penachino  Manel Ruiz  Jake Hunter  Stuart Graham  Nikita Popkov  Bernd Wondollek  Carl Burke  Jaimie Acroyd  Arnoud Carney  Zack Spiger  Arnoud Carney  Andreas Neo  Nico Poulsson  Chris Sargent  Erik Sohlstrom  Jonas Abenstein  Billy Boyd  Jake Scott  David Jacobson  Ben Fordesman  Shinho Park  Bet Rourich  Alex Catalan  Oscar Faura  Shaun Atherton  Fernanado Gayesky  Octavio Arias  Pepe Gay  Pancho Alcaine  Iñigo Zubicaray  Kenny Stoff  Andre Szankojki  Pancho Alcaine  Daniel Mere  Angel Iguazel  Angel Amoros  Paco Femenia  Kit Fraser  Mario Montero  Elias M. Felix  Youseef Dadoud  Marc Miro  Pablo Hernandez  Hugo Prats  Steve Lawes  Jose Luis Bernal  Kiko de la Rica  Jorge Roig  Alberto Leon  Jesus Haro  Miquel Prohens  Rafael Reparaz  Albert Salas  Pablo Clemente

THE ARTIST

15 Years of

Technical Mastery.

I’m Lucas G. Mendoza, a Digital Imaging Technician who specialises in color grading for advertising and the film industry.

I create custom look-up tables (LUTs) for each project, shaping color and contrast to preserve the Director of Photography’s creative vision from set to post-production.

I work with a fully equipped on-set trolley built around a Mac Studio–based system, enabling live grading, dailies workflows, and calibrated on-set monitoring to support creative decisions in real time.

 

«Colour is a means of exerting a direct influence upon the soul.

Colour is the keyboard. The eye is the hammer.

The soul is the piano with its many strings.»

 

-Wassily Kandinsky

LiveGrade Pro

Advanced on-set color correction and CDL management, ensuring creative intent is preserved in real time.

DIT Workflow

Reliable on-set data management and camera pipeline supervision. Checksum verified backups with redundant high-speed storage.

OLED Reference Monitoring

Calibration-accurate Sony and Flanders Scientific reference displays.

Color Pipeline

From on-set look creation to post-production consistency. Shaping color as a narrative throughline.

Film Emulation

Real-time film emulation with LiveGrade and FilmBox for authentic cinematic texture.

Let’s Grade Your
Next Vision.

Available for worldwide assigments and local productions in Europe

DIT
Resumen de privacidad

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